CRZY CRZY COLABRTN..

Less than cooly named Mstrkrft..seriously??? its only a few letters guys...

Always making good music however since the sad demise of Death From Above 1979 they have now brought out a classic with...drum roll...John Legend. I kid you not. Always sucker for 'Just Ordinary People' its understandable in a sense as the man has some talent.

And in fairness the song works, strangely complimenting the duo's beats it caught my attention straight away and ever since has been in my playlist.

While I am on the topic of guest vocals a massive massive song at the moment is funnily enough by the normally talentless button pusher's Flithy Dukes.

Orlando Weeks from The Maccabees has his lyrics chopped up and moved around from the song 'William Powers' which features on the new album 'Wall of Arms'

It works, and really really well. No credit taken from The Original as it is my favourite song on a brilliant album. In all fairness it dosent even sound anything like the original and it would take a Maccabees fan to notice the lyrics

So...two brilliant brilliant new songs with guest vocals..

What next then?

Lady Ga Ga staring on Madonnas's new album? how ironic..

Peaches & Mean

So after finally getting a chance to listen to the Horrors new album in full and to which I have since then put on loop for about 5 days straight, I can still safely say that it is the work of art that I thought it would be...and none of this Turner prize winning rubbish! I mean Andy Warhol scale art.

As I have said before I was never a big fan of the Horrors. Always over hyped and over dressed they seemed to have no real heart in their music when compared to bands around in the same period such as The Maccabees who just shone with passion. Not to lump them in the same category however or to dismiss them as they have obviously had big influence on bands such as SCUM and Ipso Facto.

The album Primary Colours brings out a new and creative side I never thought I would see from a band that cared more about how big their hair was than making something worth listening too.

Starting with an electro beat feel “Mirrors Image” is to perfect antidote for people who are used to listening to the franticness of the old Horrors, we are then sucked in by their new sound as we move onto 'Three Decades' which finally reveals how good Farris’s voice is. 'Who can say' which is a personal favourite of the album sounds more like Joy Division than anything else with distorted Guitars and an eerie keyboard building up for Farris to declare to the world “and then I kissed her, with a kiss that could only mean goodbye”.

The album picks up the pace quite a lot with ‘The New Ice Age’ and we hear a more ferocious Ferris than we have in earlier tracks. Scarlet Fields which another personal favourite tones down the mood and allows the band to show their true colours with Rhys Webb on keyboards bringing a touch of magic to the track. It is at this point that the album really comes together and in which I realised how much of a complete and well thought album this is.

According to Interviews they recorded in a studio in Bath which had no windows and which sent them nearly insane and it is clearly evident on this album.
I can only assume that the influences from this album came from Farris break up with the Ditzy and rather unimpressive Peaches Geldof who is now currently dating The Lead singer of the Virgins who are hotly tipped but have as much talent as Mr Casablanca’s has in one finger. The lyrics aren’t as dark as their previous album but talk more of loss and desperation which is evident in ‘I only think of you’.

The next two tracks which include the Title Track and the newly released 'Sea within a Sea' are a brilliant way to round off such a stunning album. 'Sea within a Sea' lasts for exactly 7.58 minutes and it contains everything in one track that was needed to completely change my verdict on The Horrors and make me take notice and listen. You should too...

The Horrors Website

The Horrors-Scarlet Fields Mp3